In with Mr. Mallard. Chopin illustrates how Louise

In the short story, “The Story of an Hour,” American
writer Kate Chopin grants the complex character of Mrs. Louis Mallard. Mallard
is a unhappy woman confined in her miserable relationship. The story of an hour
is expressed in a moment, an hour of Mallard’s life. She is incapable of
disengaging herself from her marriage. Thus, she tolerates it instead. The news
of a supposed death of her husband arises as an immeasurable break to her for a
short moment, and she experiences the delights of enlightened life from her
suppressed marriage with Mr. Mallard. Chopin illustrates how Louise came to
comprehend the breakdowns of her life and how she visualizes her future before
everything turns catastrophic at the end of the story.

 Mrs. Mallard was
not truthful towards her sister Josephine and her husband’s friend Richard, who
has given her a great deal of concern. This is distinctive because both
Josephine and Richard take a lot of caution into breaking the news to Mallard
about her husband’s death. They presume that she has an abundance of love
towards Mr. Mallard and learning of his death would amplify her heart condition
and lead to her death. However, they didn’t know that Mrs. Mallard did not love
him profoundly and in fact optimistically took the news. This can be seen when
she bursts into her room, and her attention changes significantly from that of
her husband’s death to nature. In the text, it states, “she would have no
one follow her” could symbolize the start of her acceptance that “she
would live for herself.” She wanted to be on her own and allow her
feelings to react freely to the news of her the death of her husband. While her
initial reaction to the news is one of mourning, Louise is increasingly aware
of her freedom. Mallard was undergoing a powerful sense of freedom, “Free!
Body and soul free!.” Her confined happiness broke through when her
husband died. Therefore, showing the symbol of her new life and the
opportunities anticipating her. Her eyes focus on the patches of blue sky
representing the ending of her storm, her smell and ears become attentive to
certain places and items in nature. All representing in a very representational
language of her distinct moment of taking in pleasures of freedom and
experience of enlightened life. Her struggles took the form of words: “free,
free, free!” (Chopin 288). Thus, displaying that she was facing life after the
death of her husband.

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Once she realizes her husband is alive, Mallard’s past
love and desire for life are overturned. This news strikes with such power that
it takes her life. Thus, it makes it probable that her feeble heart just could
not tolerate what undeniably was for her, the most disastrous news. “She says a
prayer that her life might belong to enjoy all the seasons in her life.”
(Chopin 289). After having suffered a brief moment of what it was like to be
free from a disturbed life, Mallard could not think about breathing another
moment of the contained life that she has had with her husband.

However, there is a component of hardship to her death;
one could also comprehend her death as an end to her subdued life. Everything
Mallard did not accomplish in her life; she did in her death. She is now
unrestricted and no more women to the oppressive will of her husband. On the
contrary, she decides on a way out that was easy. She did not put up a fight to
the domination directed towards her. “Whose lines bespoke repression, even a
certain strength” (Chopin 288). Her bravery, if she had any, was restricted to
her being able to vision herself in a different future, experience the exciting
second of being free. As an alternative to mourning in the company of Josephine
and Richard, she chose to be by herself and savour her consciousness of being free. 

For the most part, Mrs. Mallard seems to have surrendered
to the play by play role of a wife that was well-defined by the culture and
settlements of her time. She could not gather enough nerve to fight back; the
dominating role of her husband; or the culture rules that authorized certain
norms of behaviour or male characters for husband and wife. She has a victim
approach waiting for a chance to grant itself rather than carrying about an
alteration so she could experience the pleasures of independence. This
demonstrates that she understood this was her purpose in life and chose to live
through it. She is the flawless supporting example of stereotypical roles of
women or wives who have a victim outlook and accept the situations as they are.
It is only because some women dared to take a stand against such oppressive
culture and oppressive people that women in modern times find more choices to
live a life of liberty and freedom.

If she had acted in bravery, being more self-confident in
inputting her true emotions with her sister or attaining other sources for help
in order to address her contained relationship, she would not have to feel
aggrieved being with her husband. “It was only yesterday she had thought with a
shudder that life might be long” (Chopin 289). Her purpose for life would not
have to mean for her husband to die. In conclusion, her lack of courage,
strength, and power to approach her subdued life made her look at life and
death in an unconventional prospect. When in reality there is no obligation to
die to encounter freedom while she could have experienced a full life with her
husband by her side.